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The best way to avoid the horrors of the Tribulation is to make sure you are not around for it. If you would like to learn more about what it means to become a Christian, Turning Point for God would be pleased to send you a free copy of Your Greatest Turning Point.
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I could never understand why worship music has a copyright on it. Worship is something we give to God out of adoration and respect, not to mention the fact that it is a prerequisite for God giving us eternal life. So why do people want to make money from something that is demanded of us from God. Joel Huston and the like seem to think that their worship to God has a money value, when it should be given freely.
JUST AS IT brings sugar withdrawal and voting disputes, November means a slew of new music releases to get a jump on stocking space. This fall, Bridge School Benefit founder Neil Young pauses his usual prolificacy with Live at the Fillmore East, combining his legendary 1970 shows with the original Crazy Horse. His best live release yet boasts a blistering 16-minute rendition of "Cowgirl in the Sand," featuring the dueling guitars of Danny Whitten and Young, whose corrosive, freeform soloing was decades ahead of its time. The six-song album is an effective makeshift tribute to Whitten, who overdosed in '72, taking with him some formidable harmonizing that rivals Young's supergroup CSNY.
Supremely gifted indie poster-boy Conor Oberst also cleans house with Noise Floor, a 16-song collection of rare tracks released under his moniker Bright Eyes. Along with a plethora of Oberst's respectable basement recordings, the mostly good mixed bag will please those who loved either the majestic folk of 2005's I'm Wide Awake, It's Morning and the synthesizer fusion of Digital Ash in a Digital Urn. A glaring omission is his scathing protest song "When the President Talks to God," a free download that would've provided perfect background music for the left's congressional victory.
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